The cover of the British Dental Journal Volume 240 Issue 7 features a hand-coloured etching by Thomas Rowlandson from 1811 titled A French dentist shewing a specimen of his artificial teeth and false palates. The artwork depicts Nicholas Dubois de Chemant, a prominent Parisian dental practitioner, displaying porcelain dentures to a prospective patient. The accompanying shop sign advertises mineral teeth and false palates made without pain.

From failed experiments to commercial success

Porcelain dentures were first conceived by Parisian apothecary Alexis Duchateau (1714 to 1792), who was dissatisfied with his own ivory dentures. However, Duchateau lacked dental expertise and struggled with the technical challenge of shrinkage during firing. He partnered with de Chemant, and together they reformulated the paste and adjusted firing temperatures to achieve success. De Chemant then modified the mineral paste composition further to improve colour and stability, and published the results in a 1788 pamphlet titled A Dissertation on Artificial teeth. The pamphlet included a case study of a 70-year-old patient whose breath odour and infected teeth were resolved by replacing his ivory dentures with mineral paste dentures.

De Chemant's career and legacy

De Chemant (1753 to 1824) left Paris in 1792, likely to escape both the French Revolution and a plagiarism lawsuit brought by Duchateau. He established a practice at 2 Frith Street near Soho Square in London and obtained a 14-year patent for exclusive manufacture of mineral paste dentures. The Wedgwood Company supplied him with porcelain paste. By 1804, de Chemant claimed to have completed over 12,000 successful cases. Rowlandson's etching captures de Chemant at the peak of his fame in 1811.